The Horse Show

Author: William Dean Howells

"As good as the circus—not so good as the circus—better than the circus." These were my varying impressions, as I sat looking down upon the tanbark, the other day, at the Horse Show in Madison Square Garden; and I came away with their blend for my final opinion.

I might think that the Horse Show (which is so largely a Man Show and a Woman Show) was better or worse than the circus, or about as good; but I could not get away from the circus, in my impression of it. Perhaps the circus is the norm of all splendors where the horse and his master are joined for an effect upon the imagination of the spectator. I am sure that I have never been able quite to dissociate from it the picturesqueness of chivalry, and that it will hereafter always suggest to me the last correctness of fashion. It is through the horse that these far extremes meet; in all times the horse has been the supreme expression of aristocracy; and it may very well be that a dream of the elder world prophesied the ultimate type of the future, when the Swell shall have evolved into the Centaur.

Some such teasing notion of their mystical affinity is what haunts you as you make your round of the vast ellipse, with the well-groomed men about you and the well-groomed horses beyond the barrier.

In this first affair of the new—comer, the horses are not so much on show as the swells; you get only glimpses of shining coats and tossing manes, with a glint here and there of a flying hoof through the lines of people coming and going, and the ranks of people, three or four feet deep, against the rails of the ellipse; but the swells are there in perfect relief, and it is they who finally embody the Horse Show to you. The fact is that they are there to see, of course, but the effect is that they are there to be seen.

The whole spectacle had an historical quality, which I tasted with pleasure. It was the thing that had eventuated in every civilization, and the American might feel a characteristic pride that what came to Rome in five hundred years had come to America in a single century. There was something fine in the absolutely fatal nature of the result, and I perceived that nowhere else in our life, which is apt to be reclusive in its exclusiveness, is the prime motive at work in it so dramatically apparent. "Yes," I found myself thinking, "this is what it all comes to: the 'subiti guadagni' of the new rich, made in large masses and seeking a swift and eager exploitation, and the slowly accumulated fortunes, put together from sparing and scrimping, from slaving and enslaving, in former times, and now in the stainless white hands of the second or third generation, they both meet here to the purpose of a common ostentation, and create a Horse Show."

I cannot say that its creators looked much as if they liked it, now they had got it; and, so far as I have been able to observe them, people of wealth and fashion always dissemble their joy, and have the air of being bored in the midst of their amusements. This reserve of rapture may be their delicacy, their unwillingness to awaken envy in the less prospered; and I should not have objected to the swells at the Horse Show looking dreary if they had looked more like swells; except for a certain hardness of the countenance (which I found my own sympathetically taking on) I should not have thought them very patrician, and this hardness may have been merely the consequence of being so much stared at. Perhaps, indeed, they were not swells whom I saw in the boxes, but only companies of ordinary people who had clubbed together and hired their boxes; I understand that this can be done, and the student of civilization so far misled. But certainly if they were swells they did not look quite up to themselves; though, for that matter, neither do the nobilities of foreign countries, and on one or two occasions when I have seen them, kings and emperors have failed me in like manner. They have all wanted that indescribable something which I have found so satisfying in aristocracies and royalties on the stage; and here at the Horse Show, while I made my tour, I constantly met handsome, actor-like folk on foot who could much better have taken the role of the people in the boxes. The promenaders may not have been actors at all; they may have been the real thing for which I was in vain scanning the boxes, but they looked like actors, who indeed set an example to us all in personal beauty and in correctness of dress.

I mean nothing offensive either to swells or to actors. We have not distinction, as a people; Matthew Arnold noted that; and it is not our business to have it: When it is our business our swells will have it, just as our actors now have it, especially our actors of English birth. I had not this reflection about me at the time to console me for my disappointment, and it only now occurs to me that what I took for an absence of distinction may have been such a universal prevalence of it that the result was necessarily a species of indistinction. But in the complexion of any social assembly we Americans are at a disadvantage with Europeans from the want of uniforms. A few military scattered about in those boxes, or even a few sporting bishops in shovel-hats and aprons, would have done much to relieve them from the reproach I have been heaping upon them. Our women, indeed, poor things, always do their duty in personal splendor, and it is not of a poverty in their modes at the Horse Show that I am complaining. If the men had borne their part as well, there would not have been these tears: and yet, what am I saying? There was here and there a clean-shaven face (which I will not believe was always an actor's), and here and there a figure superbly set up, and so faultlessly appointed as to shoes, trousers, coat, tie, hat, and gloves as to have a salience from the mass of good looks and good clothes which I will not at last call less than distinction.

At any rate, I missed these marked presences when I left the lines of the promenaders around the ellipse, and climbed to a seat some tiers above the boxes. I am rather anxious to have it known that my seat was not one of those cheap ones in the upper gallery, but was with the virtuous poor who could afford to pay a dollar and a half for their tickets. I bought it of a speculator on the sidewalk, who said it was his last, so that I conceived it the last in the house; but I found the chairs by no means all filled, though it was as good an audience as I have sometimes seen in the same place at other circuses. The people about me were such as I had noted at the other circuses, hotel-sojourners, kindly-looking comers from provincial towns and cities, whom I instantly felt myself at home with, and free to put off that gloomy severity of aspect which had grown upon me during my association with the swells below. My neighbors were sufficiently well dressed, and if they had no more distinction than their betters, or their richers, they had not the burden of the occasion upon them, and seemed really glad of what was going on in the ring.

There again I was sensible of the vast advantage of costume. The bugler who stood up at one end of the central platform and blew a fine fanfare (I hope it was a fanfare) towards the gates where the horses were to enter from their stalls in the basement was a hussar-like shape that filled my romantic soul with joy; and the other figures of the management I thought very fortunate compromises between grooms and ringmasters. At any rate, their nondescript costumes were gay, and a relief from the fashions in the boxes and the promenade; they were costumes, and costumes are always more sincere, if not more effective, than fashions. As I have hinted, I do not know just what costumes they were, but they took the light well from the girandole far aloof and from the thousands of little electric bulbs that beaded the roof in long lines, and dispersed the sullenness of the dull, rainy afternoon. When the knights entered the lists on the seats of their dog-carts, with their squires beside them, and their shining tandems before them, they took the light well, too, and the spectacle was so brilliant that I trust my imagery may be forgiven a novelist pining for the pageantries of the past. I do not know to this moment whether these knights were bona fide gentlemen, or only their deputies, driving their tandems for them, and I am equally at a loss to account for the variety, of their hats. Some wore tall, shining silk hats; some flat-topped, brown derbys; some simple black pot-hats;—and is there, then, no rigor as to the head-gear of people driving tandems? I felt that there ought to be, and that there ought to be some rule as to where the number of each tandem should be displayed. As it was, this was sometimes carelessly stuck into the seat of the cart; sometimes it was worn at the back of the groom's waist, and sometimes full upon his stomach. In the last position it gave a touch of burlesque which wounded me; for these are vital matters, and I found myself very exacting in them.

With the horses themselves I could find no fault upon the grounds of my censure of the show in some other ways. They had distinction; they were patrician; they were swell. They felt it, they showed it, they rejoiced in it; and the most reluctant observer could not deny them the glory of blood, of birth, which the thoroughbred horse has expressed in all lands and ages. Their lordly port was a thing that no one could dispute, and for an aristocracy I suppose that they had a high average of intelligence, though there might be two minds about this. They made me think of mettled youths and haughty dames; they abashed the humble spirit of the beholder with the pride of their high-stepping, their curvetting and caracoling, as they jingled in their shining harness around the long ring. Their noble uselessness took the fancy, for I suppose that there is nothing so superbly superfluous as a tandem, outside or inside of the best society. It is something which only the ambition of wealth and unbroken leisure can mount to; and I was glad that the display of tandems was the first event of the Horse Show which I witnessed, for it seemed to me that it must beyond all others typify the power which created the Horse Show. I wished that the human side of it could have been more unquestionably adequate, but the equine side of the event was perfect. Still, I felt a certain relief, as in something innocent and simple and childlike, in the next event.

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